Russ Meyer's Vixen Soundtrack Bill Loose BHS 22 1970 Sealed Sleaze Erica Gavin

Description: Bill Loose Russ Meyer's Vixen. Original Motion Picture Soundtrack Label:Beverly Hills – BHS 22Format:Vinyl, LPCountry:USReleased:1970Genre:Stage & ScreenStyle:Soundtrack, ScoreA1Theme From Vixen2:14A2Niles Threatens Vixen1:52A3Janet's Theme3:15A4O'Banion's Theme1:58A5Vixen Gets Excited3:13B1Canadian Romp2:14B2O'Banion Spins His Web1:27B3In A Blue Mood2:35B4Niles Confronts Vixen1:38B5Conversation Piece1:15B6Vixen's Dilemma2:58Pressed By – Monarch Record Mfg. Co. – △14892Arranged By, Composed By, Conductor – Bill Loose*Producer – Igo Kantor ixen! is a 1968 American drama film and satiric softcore sexploitation film directed by Russ Meyer and starring Erica Gavin. It was the first film to be given an X rating for its sex scenes,[3] and was a breakthrough success for Meyer. The film was developed from a script by Meyer and Anthony James Ryan. The film concerns the adventures of the oversexed Vixen (Gavin), as she sexually manipulates everyone she meets. The story's taboo-violations mount quickly, including themes of incest and racism. PlotAt a Canadian wilderness resort, sultry and sexually assertive Vixen Palmer lives happily married with her husband Tom, a bush pilot and owner of a tourist lodge. The hypersexual Vixen nevertheless seduces anyone within reach including a Mountie, a couple her husband brings home as clients – the husband first, his wife later, and eventually her own brother, Judd. The only person she will not have sex with is Judd's friend Niles, an African American Vietnam War deserter, whom Vixen verbally abuses with racist insults. A wealthy Irish tourist (who is really a Marxist Irish Republican Army sympathizer) entices the couple to fly him and – against Vixen's protestations – Niles to the United States. In the air, he attempts to hijack the small Cessna 177 Cardinal to Cuba, taking Vixen and her pilot husband as hostages. Niles is reluctant to take sides, but, after some altercations, Tom and Niles overwhelm the perpetrator. In return for his support, Tom helps Niles escape the US customs; as they are parting, Niles and Vixen conciliate. At the end of the film, her husband takes on another couple and Vixen smiles in a sinister and disturbing way, apparently planning to seduce them. The final slide reads "The End?". ProductionErica Gavin was a dancer in clubs who knew women who had acted in other Meyer films. She answered an advertisement seeking actors for Vixen and was cast.[4] Meyer recalled, "Bravely I went up to the location for Vixen without a leading lady and left a couple of my henchmen to try to find somebody. It's always difficult. But Erica had a curious quality about her. She didn't have the greatest body, you know. She didn't have the up-thrust breasts like the others. "[5] The film was shot in Miranda, California. Many of the opening scenes were filmed in Victoria, BC, Canada[6][circular reference] During the film, assistant director George Costello had a relationship with Gavin, which led to the end of Costello's professional relationship with Meyer.[7] Erica Gavin, on the other hand, went on to shoot one more movie with Meyer. Meyer said the sex scene between Gavin and her brother "was the best of them all. She [Erica Gavin] really displayed an animal quality that I've never been able to achieve before – the way she grunted and hung in there and did her lines. It was a really remarkable job... I've done a lot of jokey screwing but there's something about Erica and her brother that was just remarkable... [it] really represents the way I like to screw." [8] ReceptionThe film was a huge box office success. Meyer later attributed this to the fact "it was so frank for its time. And a lot of it had to be attributed to Erica Gavin. She had a quality that also appealed to women. And women came in great numbers."[5] Meyer later elaborated: I think an awful lot of women would have liked to have been able to act like Vixen a few times in their lives. To have an afternoon in which they could have laid three guys, have an affair with their best girl friend, that would straighten a lot of people out... Everything she [Vixen] touched was improved. She didn't destroy, she helped. If there was a marriage that was kind of dying on the vine, she injected something into it which made it better... I think that every man at one time or another would thoroughly enjoy running into an aggressive female like Vixen... She was like a switch-hitter. You show this girl as being like a utility outfielder: she could cover all the positions.[9] Meyer said he used sex in the film to make points about racial bigotry and communism.[10] Critical receptionThe Los Angeles Times called the film "good clean fun for adults... may well be Meyer's best film to date".[11] The New York Times called it "slick, lascivious."[12] Roger Ebert called it "the quintessential Russ Meyer film... Meyer's ability to keep his movies light and farcical took the edge off the sex for people seeing their first skin-flick. By the time he made vixen, Meyer had developed a directing style so open, direct and good-humored that it dominated his material. He was willing to use dialogue so ridiculous... situations so obviously tongue-in-cheek, characters so incredibly stereotyped and larger than life, that even his most torrid scenes usually managed to get outside themselves. Vixen was not only a good skin-flick, but a merciless satire on the whole genre." William George Loose (June 5, 1910 – February 22, 1991) was an American composer of film, cartoon and television soundtrack music and stock musical cues. Early life and careerBorn in Michigan, Loose became a staff musical arranger for an Omaha, Nebraska radio station. During World War II, he was the head arranger for the United States Army Air Forces Orchestra in New York.[1] In the 1950s, Capitol Records represented several musical libraries. Capitol decided to assemble its own library in 1955, and when Nelson Riddle turned down the job of a composer of their musical cues, they hired Loose and John Seely. By 1957, Loose's music was played on no less than 24 different television shows a week; and as of the 1960s, some cues of his music were later used in theaters and drive-in theaters. Film companies such as National Screen Service and Filmack Studios later placed some of William's cues onto its soundtrack under its snipe works beginning in 1964.[2] Loose's accomplishments led to invitations to compose scores for American television series such as The Sheriff of Cochise and The Texan.[3] Loose also was in demand as an arranger for various artists on Decca Records and Reprise Records. In 1968–69, Loose was music director for The Doris Day Show. For several decades starting in the 1950s, Loose's composed music for films and television, including such diverse works as the themes to television series Trackdown (1957-1959) and Wanted: Dead or Alive (1959-1961), the 1966–1981 game show The Hollywood Squares (1969-1979 version of theme music), and films Tarzan and the Great River (1967) and Tarzan and the Jungle Boy (1968) starring Mike Henry, many short pieces for NFL Films, and music for Russ Meyer movies including Cherry, Harry & Raquel! (1970), Black Snake (1973), Supervixens (1975) and Up! (1976). Some of his stock cues were also used in George Romero's original Night of the Living Dead in 1968. He also scored many cult 1970s films such as The Rebel Rousers (1970), The Big Bird Cage (1972), The Wrestler (1974), The Swinging Cheerleaders (1974), Devil Times Five (1974), The Grizzly and the Treasure (1975) and Mako: The Jaws of Death (1976). His later scores included The Man Who Saw Tomorrow (1981) and Mystery Mansion (1983). Death and legacyLoose died of a heart attack at the age of 80. The reuse of Loose's cues for the 1990s cartoon series The Ren & Stimpy Show brought him a new generation of fans. A tribute to Loose was given in a The William Loose Songbook a double CD by Richard Peterson.[4] A music company Loose had founded with Billy May called "May-Loo Music" was left to Loose's wife Irma after his death. She was awarded a $1.9 million jury award when a business manager mismanaged her firm.[5]

Price: 49.99 USD

Location: Utica, New York

End Time: 2024-09-16T17:43:10.000Z

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